Eight rules for writing fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things -- reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

-- Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam's Sons 1999), 9-10.

Kurt Vonnegut: How to Write with Style

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Liu Xue: Sculpture

Chinese artist Liu Xue has created some fabulous anthropomorphic sculpture which are sure to tweak your “Eweeee, gross!” button, in a great way. The unusual hybrids are from his series - ‘We are the World’ and they aren’t far from it. Obese fat Buddha men sit on their frog legs or flippers while emaciated men and women balance on chicken legs or dog bodies. The different anatomies merge seamlessly into a viable being. They are distorted and somewhat monstrous – yet at the same time so realistic, one might believe they actually do exist. Liu lives in Beijing, Chaoyang, China and that’s about all we could find out about him. We would love to know a little about his process – any Chinese folks out there that could throw a little research our way? LINK: To Liu’s Website/Blog

Wildlife conservation on ice: frozen zoos to save animals

On the edge: Disease and habitat loss is decimating wild amphibian populations globally, with more than 200 species needing urgent intervention through captive breeding, says Dr. Simon Clulow. In a south-eastern suburb in Melbourne, there’s a zoo. It has no visitors, and there are no animals anywhere inside it. Rather, the Australian Frozen Zoo houses living cells and genetic material from Australian native and rare and exotic species. This place, and others like it, could be a big part of the future of conservation. Department of Biological Sciences’ Simon Clulow and his colleagues make the case for ‘biobanking’ in a recent piece in Conservation Letters. Clulow is keen to stress that this doesn’t mean getting rid of conventional zoos or captive breeding programs. “Captive breeding has had some wonderful successes, and there will always be a huge place for it,” he says. PhD student and lead author Lachlan Howell agrees. “It was captive breeding that brought the giant panda back f...

Room XX

Recently the Spanish Government officially presented Miquel Barceló’s latest art installation in the UN’s palace of Nations in Geneva. The controversial work of art is a massive sculptural installation located on the domed ceiling of the building’s newly created human rights and alliance of civilizations chamber, known as room XX. The work consists of multi-coloured stalactite forms that appear to be dripping from the ceiling. The art project was introduced by the Spanish organization ONUART, which was established in 2007 to promote dialogue, through the use of Spanish contemporary arts to create understanding between cultures and societies and to foster multilateralism at the UN in Geneva. Inspiration: Miquel Barceló’s work often features natural elements and imagery but the chamber’s ceiling takes this idea literally by recreating the natural stalactite forms, albeit through the artist’s lens. Barceló has revealed that the concept for the project came to him while he wa...

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